
3-Day Shakespeare Intensive
CONNECTING LIVED EXPERIENCE TO THE ELIZABETHAN WORLD VIEW
With Andrew Borthwick-Leslie
Friday, November 20 | 6:00 PM - 9:00 PM
Saturday, November 21 | 11:00 AM - 4:00 PM
Sunday, November 22 | 11:00 AM - 4:00 PM
Sheen Center for Thought and Culture, Studio C
18 Bleecker Street
Class size is limited to 14 participants | $300 per student
Shakespeare's world, England from 1580-1610, might seem familiar to us because our contemporary lives have many of the same themes: love, lust, loss, grief, greed, forgiveness… But the terms his contemporaries might use to address these themes: The Great Chain Of Being, The Five Wits, The Humors and The Elements, at first might appear to us wildly alien.
In this class, we will examine how Shakespeare’s characters are always trying to make sense of their journeys through this Elizabethan lens. We will examine how our own understanding of our world might come from these older ideas. We will look at how these characters might be unlocked in a new and performable way: how in their moment of crisis they look to the stars, their bodies, nature and precedent for clues about how to act.
Each actor will work on a monologue of their choice from Shakespeare’s plays, playing with and embodying these concepts.
Course Objectives:
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Receive an introduction to the Elizabethan world view through the lenses of The Great Chain of Being, The Five Wits, The Humors, and The Elements
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Build connections between personal lived experience and Shakespeare’s characters
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Workshop a monologue from Shakespeare’s canon through embodied textwork and exploration.
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Refine personal technique for developing an active and alive performance of classical text.
Instructors:
ANDREW BORTHWICK-LESLIE is a member of Shakespeare & Company in Lenox, Mass., where he has taught, directed, and acted for twenty years. He is also the co-Artistic Director of The Humanist Project in New York City. He has taught acting and voice at the University of Pennsylvania, Temple University, Emerson College, DeSales University and the University of Maryland among others. Andrew has run workshops for the Center for Renaissance Studies, the American Bar Association, the New England Homeless Veterans shelter and many more. He has directed, devised, or assisted on over fifty productions — from Cymbeline to Perestroika. Most recently he directed Love’s Labour’s Lost and Merchant of Venice for the Shakespeare Forum at the Gym at Judson in Washington Square, Macbeth and Frances Goes to War for The Humanist Project, and Double Falsehood for the Letter of Marque Theater Company.

Dress:
You should wear clothes that are easy to move around in. We suggest you bring a water bottle and a notebook.
Concerns? Questions?
Contact Alice Renier at alice@redbulltheater.com
All of our teachers are committed to these classes. As working performers, unexpected conflicts may arise. If this were to happen, Red Bull would strive to provide an equally qualified replacement to ensure the quality of your experience. We thank you in advance for this understanding.
