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This special benefit reading is Pay What You Can. All of our current programs are FREE If you’re able, please consider making a donation with your registration to support our online activity and our return to in-person programming. THANK YOU.

BENEFIT READING

SHORT NEW PLAY FESTIVAL 2021:  RESTORATION

The SHORT NEW PLAY FESTIVAL premiered LIVE on Monday, July 12., 2021. The recording of was available until 7:00 PM EDT Friday, July 16.

The 11th Annual Short New Play Festival is made possible by the leadership support of The Noël Coward Foundation.

Featuring short new plays by 

Constance Congdon

Roz Cornejo

George LaVigne

David Lefkowitz

Abigail C. Onwunali

Charlotte Rahn-Lee

José Rivera

Directed by 

Margot Bordelon

Timothy Douglas

Featuring Franchelle Stewart DornSheria Irving, Marjorie Johnson, Sara Koviak, Anthony Michael Lopez, Anthony Michael Martinez, Junior Nyong'o, Abigail C. Onwunali, Luis Quintero, Reggie D. White, and Nathan Winkelstein.

Enjoy seven world premieres in one night. This benefit event is the latest installment of our renowned annual new play festival. The evening will bring you works by some of the most exciting writers from across the country, penning classically inspired ten-minute plays. This year's festival will include a new play by Obie Award winner José Rivera (Marisol) alongside six of today's up-and-coming playwrights selected through an open submission process: Roz Cornejo, Constance Congdon, George LaVigne, David Lefkowitz, Abigail C. Onwunali, and Charlotte Rahn-Lee.

 

This year’s theme? RESTORATION. Download the program.

THE PLAYWRIGHTS
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The 11th Annual Short New Play Festival is made possible by the leadership support of The Noël Coward Foundation.

THE PLAYS

If This Be Not A Good Play Then The Devil Is In It.

by Constance Congdon

Deep in a night of 1599, on the banks of the Thames, players from one theater, called The Theater (disassembled to escape abusive rent payments), wait for barges to carry their lumber across the river, where they will build another theater, yet to be named.

Echo

by Rosslyn Cornejo

A twist on the Greek myth of Narcissus and Echo. What happens when you’re in love with someone who only loves themself?

The Wolf Tree

by George LaVigne

Just past the turn of the 17th century, Captain Pouch, a revolutionary leader of the Midland revolt in hiding, encounters a simple shepherdess beneath the Wolf Tree. 

 

Restoration Playhouse

by David Lefkowitz

The artistic director and stage manager of a tiny New York theater face obstacles, post-pandemic.

 

Jewel

by Abigail C. Onwunali

A modern-day short play written after the character Sidi from Wole Soyinka’s The Lion and the Jewel, this play explores the complexities of what it means to chase after the "American Dream."

 

The Misanthrope Breaks His Quarantine

by Charlotte Rahn-Lee

The year is 2023. COVID is over, and everyone has left social isolation and moved on with their lives . . . everyone, that is, except Alceste.

 

Lunar

by José Rivera

On a cool summer night, five close teenage friends–two Latinos, two Blacks, and one white woman–get together in a rundown basketball court in Brooklyn to watch a total lunar eclipse.  

THE CAST
Red Bull Theater’s annual Short New Play Festival has generated over 3,000 new short plays of classic themes and heightened language, presenting 80 of them in a one-night-only Festival performance with some of New York’s finest actors and directors. In its first ten years, the commissioned playwrights have included Marcus Gardley, John Guare, Jeremy O. Harris, David Ives, Ellen McLaughlin, Dael Orlandersmith, Theresa Rebeck, Anne Washburn, Doug Wright and winning entries by writers such as Anchuli Felicia King, Patricia Ione Lloyd, Lynn Rosen, and Jen Silverman. Stage Rights has published a 4-volume collection of the plays from the first 8 years of Red Bull Theater’s annual Short New Play Festival as RED BULL SHORTS.  

Red Bull Theater wishes to express its gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION, AMERICAN GUILD OF MUSICAL ARTISTS, AMERICAN GUILD OF VARIETY ARTISTS, and SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear in this program.

TONIGHT'S PROGRAM

THE MISANTHROPE BREAKS HIS QUARANTINE

By Charlotte Rahn-Lee

Directed by Margot Bordelon

Eliante | Sara Koviak

Philinte | Anthony Michael Lopez

Alceste | Nathan Winkelstein

Celimene | Sheria Irving

JEWEL

By Abigail C. Onwunali

Directed by Timothy Douglas

Sorochi | Abigail C. Onwunali

Ebube | Reggie D. White

Mama | Marjorie Johnson

Porsha | Franchelle Stewart Dorn

THE WOLF TREE

By George LaVigne

Directed by Margot Bordelon

Captain Pouch | Reggie D. White

Girl | Sara Koviak

Soldier | Anthony Michael Martinez

 

IF THIS BE NOT A GOOD PLAY THEN THE DEVIL IS IN IT.

By Constance Congdon

Directed by Margot Bordelon

Lethe | Sheria Irving

Richard Burbage | Reggie D. White

William Shakespeare | Junior Nyong’o

Landlord | Luis Quintero

 

INTERMISSION

ECHO

By Roz Cornejo

Directed by Timothy Douglas

Narcissus | Nathan Winkelstein

Echo | Abigail C. Onwunali

 

 

RESTORATION PLAYHOUSE

By David Lefkowitz

Directed by Timothy Douglas

Dori Fopler | Franchelle Stewart Dorn

Millamore | Anthony Michael Lopez

Avarice Fucquhar |  Nathan Winkelstein

Pontifica Dronesounder | Sara Koviak

Opula Prospuss | Marjorie Johnson

 

 

LUNAR

By José Rivera

Directed by Timothy Douglas

Clara | Abigail C. Onwunali

Lola | Sara Koviak

Aaren | Junior Nyong’o

Abel | Luis Quintero

Piri | Anthony Michael Lopez

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PRODUCTION TEAM

Festival Producing Director | Nathan Winkelstein

OBS Design & Execution | Jessica Fornear

Zoom Manager | Caleb Spivey

General Manager | Sherri Kotimsky

Sound Intern | Alexander Markoulis

 
ABOUT THE PLAYWRIGHTS

Rosslyn Cornejo is a University of California, Santa Barbara graduate with a BFA in Acting and a BA in History. She is currently based in Seattle, Washington. Her recent work includes her solo show In the Crosshairs with Macha Theatre Works, multiple roles in  LAUNCH PAD's Alone Together, and T in 407C's Puppet Theatre with Radial Theater Project and UCSB’s production of Fires in the Mirror.

Constance Congdon has been called “one of the best playwrights our country and our language has ever produced” by playwright Tony Kushner in Kushner's introduction to her collection Tales of the Lost Formicans and Other Plays. In addition to Tales of the Lost Formicans, which has had more than 400 productions, world-wide, Congdon's plays include: Casanova, Dog Opera, both premiered by the Public Theatre, Losing Father’s Body (Portland Stage (Maine), Lips,(Primary Stages), Native American, (Portland Stage (Maine) and Lyric Hammersmith Studio), A Mother, starring Olympia Dukakis, and a new verse version of The Misanthrope, both commissioned and produced by American Conservatory Theater. Her new verse version of Tartuffe is included in the Norton Anthology of Drama, and is already out in a single-volume Norton Critical edition. She’s been writing a long time and can thank the NEA, the Rockefeller Foundation including Bellagio, the W. Alton Jones Foundation, the Guggenheim Foundation, the Arnold Weisberger Award, the Berilla Kerr Award, and, most recently, The Helen Merrill Award for making this more possible. This year, Congdon was designated as a Legacy Playwright, a new award from the Dramatists Guild Fund. She also received the Lilly Award for a lifetime achievement in the theater. She’s an alum of New Dramatists, member of The Dramatists Guild and of PEN. Congdon has taught playwriting at the Yale School of Drama but her home has been Amherst College where she taught for 30 years. She is seeking productions for three new plays: Take Me to the River (about the water crisis in the West), Hair of the Dog (about the discovery of how Marlowe was murdered as uncovered by William Shakespeare), and Enemy Sky (about two lovers from decades ago, a Pakistani muslim man and an American old female hippie, who encounter each other again afterlife has created more questions than answers and a crisis might destroy what they had and make them enemies).

George LaVigne is an artist, actor, writer and English teacher who learned his stage craft from Olympia Dukakis and his playwriting from Ramon Delgado. He has worked with the NJRK, Period Productions, the Known World Players, The Chester Theater, and the Zenith Players, among others. He lives his transcendental existence in the wild hinterlands of Western New Jersey with his supportive wife and daughters, and a vast menagerie of animals. Apparently, he also refers to himself in the third person.

David Lefkowitz is an award-winning playwright and actor whose works include Kandide (winner Lee Korf Award and produced by The Original Theater Works,  L.A.), Shalom Dammit! (co-written with Rabbi Sol Solomon), The Triple Wedding, and  such one-acts as Special Oed (Red Bull finalist), The Sky is Calling, Cupid in Reverse, King Solomon the Wise,   and  the oft-produced Blind Date. A collection of his plays, “Marriage, Babies and the  End of the World,” was published by Holvoe Books, St.  Petersburg, and his theater writing has appeared in Playbill.com (former managing editor), Show Business (former contributing editor), BackStage, Stagebuddy, Time Out New York, and  Entertainment Weekly. Host of the long-running podcast Dave’s Gone By, David has taught English and playwriting at the University of Northern Colorado and holds master’s degrees in Dramatic Writing (NYU) and Theater Education (UNC).  Married to gerontologist and author Joyce Weil, David has served as father to two  dachshunds, two hernias, and innumerable plush potatoes. It’s best not to ask.

Abigail C. Onwunali is a Nigerian-American actor and writer, currently studying at the Yale School of Drama for her MFA in Acting. Her slam poems Mountaintop and My Co-Worker have been viewed worldwide and she has been a sacrificial poet for huge events such as the Texas Grand Slam and Slam Mania hosted by Write About Now. She wrote and directed the play In-Between Bitches which made its debut at the Yale Cabaret in 2021. Her acting credits include Charly Evon Simpson’s It’s not a Trip It’s a Journey at the Chautauqua Theater Conservatory. The Salt Women and Swimmers at the Yale School of Drama, Is God Is at the Yale Cabaret, and Girls (Understudy) at the Yale Repertory Theatre. She is currently an acting fellow in Lena Waithe’s Inaugural Hillman Grad Mentorship Program, class of 2021.

Charlotte Rahn-Lee is a New York-based playwright. Her plays have been produced by Speranza Theatre Company in Jersey City and at the Philadelphia Fringe Festival and the Sam French Off-Off-Broadway short play festival. She has an MFA from the New School for Drama and is a member of the Dramatists Guild. Most recently, she has worked with the Cherry Picking Festival in NYC, the Finger Lakes Photo/Plays in her hometown of Geneva, NY, and the New Cosmopolitans' New Queer Works Series. She lives in Washington Heights with her beautiful wife and amazing daughter. 

José Rivera is a recipient of Obie Awards for Marisol and References to Salvador Dali Make Me Hot, both produced by The Public Theatre, NY, and seen regionally and internationally.  Other plays include Cloud Tectonics (Playwrights Horizons, Humana Festival, La Jolla Playhouse), Boleros for the Disenchanted (Yale Rep, Huntington Playhouse), Sueño (Hartford Stage, Manhattan Class Company), Sonnets for an Old Century (Barrow Group), School of the Americas (Public Theatre), Massacre (Sing to Your Children) (Goodman Theatre, Rattlestick), Brainpeople (ACT/San Francisco), Adoration of the Old Woman (Sundance Theatre Lab, INTAR, La Jolla Playhouse), The House of Ramon Iglesia (Ensemble Studio Theatre), Another Word for Beauty (Goodman, New York Stage and Film), The Maids  (INTAR), The Kiss of the Spiderwoman (Menier Chocolate Factory, London), Each Day Dies with Sleep (Circle Rep, Berkeley Rep).  His screenplay “The Motorcycle Diaries,” was nominated for 2005 Best Adapted Screenplay Oscar – making him the first Puerto Rican writer ever nominated for an Academy Award.  His screenplay was also nominated for a BAFTA and Writers Guild Award, and received top screenwriting awards in Argentina and Spain.   “On the Road” premiered at the 2012 Cannes Film Festival.  “Trade” was the first film to premiere at the United Nations.  Rivera co-created and produced “Eerie, Indiana,” (NBC) and was a consultant and writer on “Penny Dreadful: City of Angels” (Showtime) 2019.  He will be head writer for the Netflix series based on One Hundred Years of Solitude.  Rivera’s short film “The Fall of a Sparrow” has been seen at the Big Apple Film Festival, the Official Latino Film Festival, The Chain Film Festival and many others.  In 2020 he directed the world premiere workshop of his play Lovesong (Imperfect) at the 14th Street Y, produced by Planet Connections, as well as the short film “The Civet.”  He has served on the boards of Theatre Communication Group and the Sundance Institute and mentored at Sundance Screenwriting Labs in Utah, Jordan, and India.  His most recent play Your Name Means Dream was part of the Rattlestick Playwrights Jam, 2020, and read at the Sundance Theatre Lab.

ABOUT THE DIRECTORS

Margot Bordelon is a New York based director who specializes in new work. Off-Broadway and New York credits include Wives (Playwrights Horizons); Something Clean (Roundabout Underground), Do You Feel Anger? (Vineyard), Eddie and Dave (Atlantic), Plot Points in Our Sexual Development (LCT3), Too Heavy For Your Pocket (Roundabout Underground), The Pen (Premieres NYC), A Delicate Ship (Playwrights Realm), Still(Juilliard), Wilder Gone (Clubbed Thumb), The Last Class: A Jazzercize Play (DODO). Margot has directed productions regionally at ACT Seattle, Actors Theatre Louisville, Alliance, American Theater Company, Denver Center, Geffen Playhouse, Marin Theater Company, Steppenwolf, the Wilma, and Yale Rep. She has developed work at Ars Nova, Berkeley Rep, Cherry Lane, The Lark, Ma-Yi, MTC, New Dramatists, NYTW, P73, Portland Center Stage, Primary Stages, The Public, PWC, Rattlestick, Seattle Rep, and Woolly Mammoth. Upcoming: …what the end will be (Roundabout), peerless (Primary Stages). BFA, Cornish College of the Arts; MFA, Yale School of Drama.

Timothy Douglas’s credits include Frankenstein for Classic Stage Company, 24 Hour Plays/Broadway, world premiere of Rajiv Joseph’s The Lake Effect for Silk Road Rising (Jeff Award: Best New Work), Disgraced for Arena Stage and The Great Theatre of China, and the world premiere of August Wilson’s Radio Golf for Yale Rep. Also Cincinnati Playhouse in the Park Associate Artist (The Trip To Bountiful, Clybourne Park, The North Pool); Actors Theatre of Louisville Associate Artistic Director (10 productions including 3 Humana Festival premieres), American Conservatory Theater, Center Theatre Group Director in Residence, Guthrie, Berkeley Rep, South Coast Rep, Steppenwolf, Playmakers Rep, Woolly Mammoth, Berkshire Theatre Festival, Downstage (NZ), National Theatre of Norway, Milwaukee Rep Artistic Associate, and many others. Timothy is also an actor and designated Linklater voice instructor and currently serves as Distinguished Artist in Residence at Emerson College.