ABOUT THE PLAYWRIGHTS

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Rosslyn Cornejo is a University of California, Santa Barbara graduate with a BFA in Acting and a BA in History. She is currently based in Seattle, Washington. Her recent work includes her solo show In the Crosshairs with Macha Theatre Works, multiple roles in  LAUNCH PAD's Alone Together, and T in 407C's Puppet Theatre with Radial Theater Project and UCSB’s production of Fires in the Mirror.

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Constance Congdon has been called “one of the best playwrights our country and our language has ever produced” by playwright Tony Kushner in Kushner's introduction to her collection Tales of the Lost Formicans and Other Plays. In addition to Tales of the Lost Formicans, which has had more than 400 productions, world-wide, Congdon's plays include: Casanova, Dog Opera, both premiered by the Public Theatre, Losing Father’s Body (Portland Stage (Maine), Lips,(Primary Stages), Native American, (Portland Stage (Maine) and Lyric Hammersmith Studio), A Mother, starring Olympia Dukakis, and a new verse version of The Misanthrope, both commissioned and produced by American Conservatory Theater. Her new verse version of Tartuffe is included in the Norton Anthology of Drama, and is already out in a single-volume Norton Critical edition. She’s been writing a long time and can thank the NEA, the Rockefeller Foundation including Bellagio, the W. Alton Jones Foundation, the Guggenheim Foundation, the Arnold Weisberger Award, the Berilla Kerr Award, and, most recently, The Helen Merrill Award for making this more possible. This year, Congdon was designated as a Legacy Playwright, a new award from the Dramatists Guild Fund. She also received the Lilly Award for a lifetime achievement in the theater. She’s an alum of New Dramatists, member of The Dramatists Guild and of PEN. Congdon has taught playwriting at the Yale School of Drama but her home has been Amherst College where she taught for 30 years. She is seeking productions for three new plays: Take Me to the River (about the water crisis in the West), Hair of the Dog (about the discovery of how Marlowe was murdered as uncovered by William Shakespeare), and Enemy Sky (about two lovers from decades ago, a Pakistani muslim man and an American old female hippie, who encounter each other again afterlife has created more questions than answers and a crisis might destroy what they had and make them enemies).

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George LaVigne is an artist, actor, writer and English teacher who learned his stage craft from Olympia Dukakis and his playwriting from Ramon Delgado. He has worked with the NJRK, Period Productions, the Known World Players, The Chester Theater, and the Zenith Players, among others. He lives his transcendental existence in the wild hinterlands of Western New Jersey with his supportive wife and daughters, and a vast menagerie of animals. Apparently, he also refers to himself in the third person.

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David Lefkowitz is an award-winning playwright and actor whose works include Kandide (winner Lee Korf Award and produced by The Original Theater Works,  L.A.), Shalom Dammit! (co-written with Rabbi Sol Solomon), The Triple Wedding, and  such one-acts as Special Oed (Red Bull finalist), The Sky is Calling, Cupid in Reverse, King Solomon the Wise,   and  the oft-produced Blind Date. A collection of his plays, “Marriage, Babies and the  End of the World,” was published by Holvoe Books, St.  Petersburg, and his theater writing has appeared in Playbill.com (former managing editor), Show Business (former contributing editor), BackStage, Stagebuddy, Time Out New York, and  Entertainment Weekly. Host of the long-running podcast Dave’s Gone By, David has taught English and playwriting at the University of Northern Colorado and holds master’s degrees in Dramatic Writing (NYU) and Theater Education (UNC).  Married to gerontologist and author Joyce Weil, David has served as father to two  dachshunds, two hernias, and innumerable plush potatoes. It’s best not to ask.

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Abigail C. Onwunali is a Nigerian-American actor and writer, currently studying at the Yale School of Drama for her MFA in Acting. Her slam poems Mountaintop and My Co-Worker have been viewed worldwide and she has been a sacrificial poet for huge events such as the Texas Grand Slam and Slam Mania hosted by Write About Now. She wrote and directed the play In-Between Bitches which made its debut at the Yale Cabaret in 2021. Her acting credits include Charly Evon Simpson’s It’s not a Trip It’s a Journey at the Chautauqua Theater Conservatory. The Salt Women and Swimmers at the Yale School of Drama, Is God Is at the Yale Cabaret, and Girls (Understudy) at the Yale Repertory Theatre. She is currently an acting fellow in Lena Waithe’s Inaugural Hillman Grad Mentorship Program, class of 2021.

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Charlotte Rahn-Lee is a New York-based playwright. Her plays have been produced by Speranza Theatre Company in Jersey City and at the Philadelphia Fringe Festival and the Sam French Off-Off-Broadway short play festival. She has an MFA from the New School for Drama and is a member of the Dramatists Guild. Most recently, she has worked with the Cherry Picking Festival in NYC, the Finger Lakes Photo/Plays in her hometown of Geneva, NY, and the New Cosmopolitans' New Queer Works Series. She lives in Washington Heights with her beautiful wife and amazing daughter. 

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José Rivera is a recipient of Obie Awards for Marisol and References to Salvador Dali Make Me Hot, both produced by The Public Theatre, NY, and seen regionally and internationally.  Other plays include Cloud Tectonics (Playwrights Horizons, Humana Festival, La Jolla Playhouse), Boleros for the Disenchanted (Yale Rep, Huntington Playhouse), Sueño (Hartford Stage, Manhattan Class Company), Sonnets for an Old Century (Barrow Group), School of the Americas (Public Theatre), Massacre (Sing to Your Children) (Goodman Theatre, Rattlestick), Brainpeople (ACT/San Francisco), Adoration of the Old Woman (Sundance Theatre Lab, INTAR, La Jolla Playhouse), The House of Ramon Iglesia (Ensemble Studio Theatre), Another Word for Beauty (Goodman, New York Stage and Film), The Maids  (INTAR), The Kiss of the Spiderwoman (Menier Chocolate Factory, London), Each Day Dies with Sleep (Circle Rep, Berkeley Rep).  His screenplay “The Motorcycle Diaries,” was nominated for 2005 Best Adapted Screenplay Oscar – making him the first Puerto Rican writer ever nominated for an Academy Award.  His screenplay was also nominated for a BAFTA and Writers Guild Award, and received top screenwriting awards in Argentina and Spain.   “On the Road” premiered at the 2012 Cannes Film Festival.  “Trade” was the first film to premiere at the United Nations.  Rivera co-created and produced “Eerie, Indiana,” (NBC) and was a consultant and writer on “Penny Dreadful: City of Angels” (Showtime) 2019.  He will be head writer for the Netflix series based on One Hundred Years of Solitude.  Rivera’s short film “The Fall of a Sparrow” has been seen at the Big Apple Film Festival, the Official Latino Film Festival, The Chain Film Festival and many others.  In 2020 he directed the world premiere workshop of his play Lovesong (Imperfect) at the 14th Street Y, produced by Planet Connections, as well as the short film “The Civet.”  He has served on the boards of Theatre Communication Group and the Sundance Institute and mentored at Sundance Screenwriting Labs in Utah, Jordan, and India.  His most recent play Your Name Means Dream was part of the Rattlestick Playwrights Jam, 2020, and read at the Sundance Theatre Lab.

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ABOUT THE DIRECTORS

Margot Bordelon is a New York based director who specializes in new work. Off-Broadway and New York credits include Wives (Playwrights Horizons); Something Clean (Roundabout Underground), Do You Feel Anger? (Vineyard), Eddie and Dave (Atlantic), Plot Points in Our Sexual Development (LCT3), Too Heavy For Your Pocket (Roundabout Underground), The Pen (Premieres NYC), A Delicate Ship (Playwrights Realm), Still(Juilliard), Wilder Gone (Clubbed Thumb), The Last Class: A Jazzercize Play (DODO). Margot has directed productions regionally at ACT Seattle, Actors Theatre Louisville, Alliance, American Theater Company, Denver Center, Geffen Playhouse, Marin Theater Company, Steppenwolf, the Wilma, and Yale Rep. She has developed work at Ars Nova, Berkeley Rep, Cherry Lane, The Lark, Ma-Yi, MTC, New Dramatists, NYTW, P73, Portland Center Stage, Primary Stages, The Public, PWC, Rattlestick, Seattle Rep, and Woolly Mammoth. Upcoming: …what the end will be (Roundabout), peerless (Primary Stages). BFA, Cornish College of the Arts; MFA, Yale School of Drama.

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Timothy Douglas’s credits include Frankenstein for Classic Stage Company, 24 Hour Plays/Broadway, world premiere of Rajiv Joseph’s The Lake Effect for Silk Road Rising (Jeff Award: Best New Work), Disgraced for Arena Stage and The Great Theatre of China, and the world premiere of August Wilson’s Radio Golf for Yale Rep. Also Cincinnati Playhouse in the Park Associate Artist (The Trip To Bountiful, Clybourne Park, The North Pool); Actors Theatre of Louisville Associate Artistic Director (10 productions including 3 Humana Festival premieres), American Conservatory Theater, Center Theatre Group Director in Residence, Guthrie, Berkeley Rep, South Coast Rep, Steppenwolf, Playmakers Rep, Woolly Mammoth, Berkshire Theatre Festival, Downstage (NZ), National Theatre of Norway, Milwaukee Rep Artistic Associate, and many others. Timothy is also an actor and designated Linklater voice instructor and currently serves as Distinguished Artist in Residence at Emerson College.